Founded by Romare Bearden, Ernest Crichlow, and Norman Lewis, the Cinque Gallery showed more than 450 artists of color during its 35-year existence.Īs much as these important exhibitions have contributed to a larger view of what happened between the death of Jackson Pollock in 1956 and the so-called “return of painting” in 1980, much more is still to be done to recognize how vibrant, diverse, and divided the New York art world was during this period, with most of the action taking place outside the media spotlight on auction prices and celebrity artists. Other examples are Inventing Downtown: Artist-Run Galleries in New York City, 1952 – 1965 at the Grey Art Gallery (January 10-April 1, 2017), curated by Melissa Rachleff, and, more recently, Creating Community: Cinque Gallery Artists at the Art Students League (May 3–July 3, 2021), curated by Susan Stedman, with assistance from Jewel Ham and program curation by Nanette Carter. The varied roster of artists includes Melvin Edwards, Chryssa, Harold Stevenson, and Marjorie Strider, whose work is seldom, if at all, seen anymore. A few current and recent exhibitions reflect that diversity, such as the not-to-be-missed New York: 1962–1964 at the Jewish Museum (July 22, 2022–January 8, 2023), the last curatorial project of Germano Celant, who died in 2020. Hindsight tells us that the New York scene was messier and more diverse than most records of that turbulent time indicate. The romantic landscapes of these artists have become the benchmark for the image of the nature of the young state, passing through the initial stages of national identity.įamous landscape painters: Katsushika Hokusai, Joachim Patinir, Canaletto, Jacob van Ruisdael, Jan van Goyen, Adriaen van de Velde, Jan Porcellis, Caspar David Friedrich, John Constable, William Turner, Jean-Baptiste Camille Corot, Jean-Francois Millet, Camille Pissarro, Pierre-Auguste Renoir, Claude Monet, Paul Cézanne, Frederic Church, Albert Bierstadt, Thomas Cole, Andrew Wyeth, Ivan Aivazovsky, Ivan Shishkin, Lev Lagorio, Mikhail Clodt, Alexey Savrasov, Vasily Polenov, Isaac Levitan, Arkhip Kuindzhi, Valentin Serov, Konstantin Korovin, Igor Grabar, Pyotr Konchalovsky, Kyriak Kostandi.įamous landscapes: Katsushika Hokusai - The Great Wave off Kanagawa John Constable - View of Highgate from Hampstead Heath William Turner - Snow Storm: Hannibal and his Army Crossing the Alps Claude Monet - Impression, Sunrise Frederic Church - The Heart of the Andes Aleksey Savrasov - The Rooks Have Come Back Ivan Shishkin - The Morning in a Pine Forest Ivan Aivazovsky - Rainbow Isaac Levitan - Over Eternal Peace Arkhip Kuindzhi - Moonlight Night on the Dnieper.There are many competing narratives about what happened in American art after Pop Art eclipsed Abstract Expressionism in the early 1960s. The practitioners of the School painted the picturesque areas of New England and, above all - the Hudson River Valley. In the US, landscape painting began to develop from the late 20s of the 19th century, giving rise to a new direction, called the Hudson River School. , the features characteristic of national landscapes formed the basis for the development of landscape painting as a genre. It is characterized by the craving for monumentality and greatness: so that it immediately becomes clear to everyone that the emperor’s power is almost limitless! The Empire style arose in France during the reign of Napoleon, later it was replaced by the eclectic art movements currents and then itfound its revival in. It was popular during the first three decades of the 19th century. empire – imperial) is the style of the late classicism in architecture, applied art and painting.
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